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From Tape Suites to Distant – Interview with Ending Artist Katie Kemp


From Tape Suites to Remote – Interview with Finishing Artist Katie Kemp

This interview is a part of a CineD sequence celebrating girls within the movie and tv business. Learn our final piece, the place we caught up with cinematographer Carissa Dorson right here. This time round, Katie Kemp, a ending artist from the UK, is our visitor.

The End Line’s Katie Kemp has accomplished all of it. She’s educated in C++, delivered sneakers, and even labored from Mr. Motivator’s Jamaican house.

All through all this, she’s additionally completed reveals in each style from Panorama to Geordie Shore, and for everybody from the BBC to Discovery. She’s additionally skilled the transfer from tape suites to distant working first-hand.

Learn on to study extra about Katie Kemp’s spectacular profession, together with what it was prefer to be beginning a profession in TV within the late 90s, and the place she hopes the publish manufacturing business will go for the longer term.

Pattern of Katie Kemp’s work

Katie Kemp, are you able to inform us about your begin within the business?

Katie Kemp: I went to school to finish a bachelor’s in science. It was extra centered on the technical aspect of filmmaking – we had been truly within the engineering division. We discovered every part from methods to produce varied media codecs to C++, oscilloscopes, and the arithmetic proving the Nyquist theorem.

After graduating I moved to London, the place I received my first job as a runner at a post-production home referred to as Part in 1997. Being a runner concerned all the same old duties like getting tea, in addition to some extra uncommon ones.

Katie Kemp
Katie Kemp. Picture credit score: Katie Kemp

What had been a few of the extra uncommon duties?

Okay.Okay.: As soon as, I needed to go and purchase a belt for somebody who forgot theirs earlier than going into a gathering. One other time, I used to be serving to this actually gifted, eccentric producer carry some tapes from our studio again to her workplace. This was a standard job, besides the producer didn’t have something on her toes!

She later referred to as me asking whether or not she had left her sneakers again at our studio, as she couldn’t discover them. I confirmed she did go away her sneakers there and introduced them again to her.

That’s hilarious! So, how did take pleasure in your first style {of professional} modifying?

Okay.Okay.: Properly, let’s simply say that in the first place, my abilities had been a bit hit or miss. I did as soon as set fireplace to the carpet whereas attempting to solder wires to restore an edit suite! Regardless of that, I discovered modifying extremely enjoyable.

The tape suites again then had been these big desks with buttons in all places that made you are feeling such as you had been controlling a starship, which was clearly cool.

Pattern of Katie Kemp’s work

Did you ever really feel deprived since you had been a girl?

Okay.Okay.: After I began within the business, there weren’t actually many feminine editors. It was all tape suites, and I did as soon as get instructed that they had been too technical for a woman – however I definitely proved that particular person flawed!

General, I do really feel fortunate that I by no means actually felt at a drawback for being a girl. There was this man that began operating concurrently me. We received promoted into the machine room collectively, then we received promoted to change into junior editors and full-time editors collectively too. We received the very same pay rises all through the seven years I used to be at Part. I then moved over to Sanctuary publish, then to The Edit & Sound Retailer, adopted by Prime Focus, and now The End Line, the place I presently work.

How did it really feel going from runner to editor and past?

Okay.Okay.: For me, it was all very thrilling. I noticed the business transition to Avid first-hand. It was all tape suites after I first began my profession in London. Certain, there was an Avid within the again room, however no person actually talked about it – basically it was ignored because the offline had been nonetheless slicing on Lightworks.

Ultimately, Symphony arrived, and it was a giant factor. All of us moved into Symphony and in just some years all these tape suites I discovered on had largely been transformed.

All of the whereas, I nonetheless had some hilarious experiences. As soon as I used to be flown to Jamaica to work with Mr. Motivator! Manufacturing basically determined they wanted to offline the place they had been filming these health movies. So, they flew an Avid out with me because the editor, and there was additionally a runner. All of us sat in Mr. Motivator’s home (test his YouTube channel right here) creating these health movies. It was an unimaginable expertise.

So, we’re guessing you favored the transition to Avid? Can’t beat Mr. Motivator!

Okay.Okay.: Personally, I didn’t thoughts the change. And coming from tape, I felt I had the perfect of each worlds. Tape was a stable grounding in technical understanding, then the transfer to Avid opened up many extra inventive prospects.

Collectively, they taught me the artwork of remaining calm. After I began on present affairs, for instance, they had been already on Avid for the flexibleness however enjoying to tape for pace of supply of the grasp program. The tape wanted to depart the constructing and be with the broadcaster the identical day for transmission.

Katie Kemp
Celebrating her twenty third Birthday within the kitchen at Part. Picture credit score: Katie Kemp

There’s an artwork to remaining calm whereas figuring out the tape that’s going to be on air in a number of hours continues to be in your deck! You’ve time to make a number of important adjustments, and panicking isn’t going to assist it get accomplished quicker. You do your adjustments, and that’s it – it’s going out.

What do you like most concerning the business immediately?

Okay.Okay.: How a lot it at all times surprises me. Simply take 2020, for instance. The entire business tailored to working from house inside weeks. I’m satisfied that even simply 2 years in the past, we wouldn’t have been capable of distant into the studio like now we have accomplished now.

For the longer term, I imagine the entire business wants to maneuver into versatile and distant work. The End Line is well-known for prioritizing worker nicely being, so we will work flexibly even after the pandemic. I simply hope others comply with in our footsteps!

Certain, there are occasions when you’ll want to be on-site. I wouldn’t need to be making a present affairs program on a vastly tight deadline and have my house equipment fail. There’s no backup. In a facility, there’s one other suite proper within the subsequent room.

For long-form and documentary work, if the shopper is blissful to set kinds and appears at the beginning, there’s no motive why you may’t be at house for something however a assessment day. Persons are speaking a few hybrid approach of working. For me, that’s completely the longer term.

Hyperlink: Katie Kemp @ thefinishline.professional

Are you impressed by Katie Kemp ’s work and profession? Do you additionally hope for a similar adjustments for the longer term? Share your ideas within the feedback under and keep tuned for extra unique profiles from girls within the business.


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