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Learn how to Simply Movie in Sony’s S-Cinetone Profile

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Simply once we thought that we had gotten a deal with on S-Log2 after which S-Log3 we acquired one other image profile from Sony: S-Cinetone. Now accessible in additional accessible cameras just like the a7S III and FX3, S-Cinetone is designed for use in a very totally different means than Log as it’s virtually able to add should you want it to be.

Contemplating it has a unique finish purpose than S-Log, any tips you might have gotten used to might have to be reevaluated. Coming from filmmaker Matt WhoisMatt Johnson is a information on tips on how to configure your digital camera to finest use S-Cinetone.

You probably have one of many few cameras with S-Cinetone (which could contain a firmware replace), you may head all the way down to Image Profile 11 to seek out its default settings. You may also double examine and ensure the Gamma and Coloration Mode say S-Cinetone.

Now that’s settled you need to work out your publicity. Log used some overexposure to get good latitude with minimal noise. For S-Cinetone you need to attempt to nail the publicity. Being a profile designed for use straight out of digital camera you need to get the publicity as near excellent as you may. Utilizing the in-camera meter you need to attempt to get it to +/-0.0. Multi-metering is the really useful mode for normal taking pictures.

Picture Credit score: Matt WhoisMatt Johnson

To make use of a extra exact publicity mode you need to begin utilizing zebras. For Zebra Degree you’ll want to set it to 100+, this can make it in order that the digital camera will begin displaying zebras on the monitor whenever you begin overexposing sure areas of the scene. 

Utilizing the meter to get within the space of 0.0 after which following up with zebras to ensure you aren’t shedding particulars within the areas of vital significance is an effective observe.

The ultimate setting to think about is the ISO. S-Cinetone has an excellent vary of settings that truly goes all the best way all the way down to 100. For optimum dynamic vary you’ll want to keep on with the 2 twin native ISOs. With S-Cinetone on the a7S III and FX3 that is ISO 100 and ISO 2000. Transferring as much as the FX6 that’s ISO 320 and ISO 5000. 

Picture Credit score: Matt WhoisMatt Johnson

One good factor is that every one these cameras are glorious in low-light scenes and it provides you some leeway to make use of totally different ISO choices if you want to.

It’s not an excessive amount of to study and since S-Cinetone is WYSIWYG, you need to be capable of inform throughout taking pictures whether or not your footage is in a great spot.

[source: Matt WhoisMatt Johnson]

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