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Learn how to Simply Movie in Sony’s S-Cinetone Profile

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Simply once we thought that we had gotten a deal with on S-Log2 after which S-Log3 we bought one other image profile from Sony: S-Cinetone. Now obtainable in additional accessible cameras just like the a7S III and FX3, S-Cinetone is designed for use in a totally completely different means than Log as it’s virtually able to add if you happen to want it to be.

Contemplating it has a distinct finish aim than S-Log, any tips you’ll have gotten used to might must be reevaluated. Coming from filmmaker Matt WhoisMatt Johnson is a information on configure your digicam to finest use S-Cinetone.

In case you have one of many few cameras with S-Cinetone (which could contain a firmware replace), you’ll be able to head all the way down to Image Profile 11 to seek out its default settings. You can too double test and ensure the Gamma and Colour Mode say S-Cinetone.

Now that’s settled you need to determine your publicity. Log used some overexposure to get good latitude with minimal noise. For S-Cinetone you wish to attempt to nail the publicity. Being a profile designed for use straight out of digicam you wish to get the publicity as near excellent as you’ll be able to. Utilizing the in-camera meter you need to attempt to get it to +/-0.0. Multi-metering is the beneficial mode for basic taking pictures.

Picture Credit score: Matt WhoisMatt Johnson

To make use of a extra exact publicity mode you need to begin utilizing zebras. For Zebra Stage you’ll want to set it to 100+, it will make it in order that the digicam will begin exhibiting zebras on the monitor while you begin overexposing sure areas of the scene. 

Utilizing the meter to get within the space of 0.0 after which following up with zebras to ensure you aren’t shedding particulars within the areas of vital significance is an efficient follow.

The ultimate setting to think about is the ISO. S-Cinetone has a superb vary of settings that truly goes all the best way all the way down to 100. For optimum dynamic vary you’ll want to persist with the 2 twin native ISOs. With S-Cinetone on the a7S III and FX3 that is ISO 100 and ISO 2000. Transferring as much as the FX6 that’s ISO 320 and ISO 5000. 

Picture Credit score: Matt WhoisMatt Johnson

One good factor is that each one these cameras are wonderful in low-light scenes and it provides you some leeway to make use of completely different ISO choices if you should.

It’s not an excessive amount of to study and since S-Cinetone is WYSIWYG, you need to be capable to inform throughout taking pictures whether or not your footage is in a great spot.

[source: Matt WhoisMatt Johnson]

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